Music spectrograph windows4/10/2023 Masks and make-up were specifically designed by the production, to achieve the desired morphing effect. James's faces aren't digitally morphed on the women. The video ends with James' women dancing on Santa Monica Beach while James pops and sprays a bottle of champagne. Giger titled "The Windowlickers" ), much to the men's horror. Their attention is eventually drawn to a dancing woman turned away from them, but she turns around to reveal a horrifically ugly, buck-toothed, deformed face (which was later illustrated in a sketch by Swiss artist H. The men arrive at an area where James and a group of women bearing his face are dancing together, and they receive leis from two of the women. When they emerge from the limousine's sunroof, the young men try to woo them again but fail. The women then accompany James in his limousine while their faces morph into James' own likeness. After emerging from the limousine, James begins provocatively dancing with an umbrella bearing the Aphex Twin logo in an attempt to woo the two women. James, displaying a hyperbolic amount of wealth and power, emerges with his signature fixed grin, at which point the song begins. Suddenly, a ridiculously long white limousine (38 windows in length, including driver's window, which takes 20 seconds to fully display) crashes into the two men's black Mazda Miata NA (MX5) convertible, and a " pimped-out" Richard D. They come across two women (referred to in the end credits as "hoochies") who repeatedly turn down their advances. In the video, two foul-mouthed young men (a Latino and an African American) in Los Angeles are window shopping for women the French term for window shopping is faire du lèche-vitrine, which literally translates to "licking the windows" "window licker" and "window licking" are British English terms. It is a ten-minute long parody of contemporary American gangsta hip-hop music videos. The music video for "Windowlicker" was directed by Chris Cunningham, who had also directed Aphex Twin's previous music video, " Come to Daddy". It was fun though because it was just done in the spirit of trying to have a crack, I'm too much of a hip-hop fan to want to take the piss out of hip-hop. I don't really like it very much because it's me working in a slightly different area. Īs of 2001, "Windowlicker" has sold over 300,000 copies. Track three, "Nannou", dedicated to his then-girlfriend, is made up of wind-up music box samples. Track two, commonly known as "", "", or, as translated on the Japanese edition, "", due to its actual title being a complex mathematical formula ("Δ M i −1 = − αΣ n=1 N D i F ji + Fext i]"), has a very experimental sound. The "Windowlicker" single contains its title track and two B-sides. ![]() Ī logarithmic spectrogram of "Δ M i −1 = − αΣ n=1 N D i F ji + Fext i]" (commonly known as 'Equation' or 'Formula') reveals a portrait of James' face near the end of the track, grinning. According to an article on the website Wired News, photographs run through the program tend to produce "a kind of discordant, metallic scratching". MetaSynth will then convert the spectrogram to digital sound and "play" the picture. This program allows the user to insert a digital image as the spectrogram. ![]() The effect was achieved through use of the Mac-based program MetaSynth. This spiral is more impressive when viewed with an X-Y scatter graph, X and Y being the amplitudes of the L and R channels, which shows expanding and contracting concentric circles and spirals. The spiral at the end of the spectrogram for "Windowlicker"Ī spectrogram of "Windowlicker" reveals a spiral at the end of the song. Similarly, Stereogum stated that "the song's mix of unpredictable syncopation, digital- dub alien transformations, errant noises, and bursts of melody would serve as a starting block for much of today's electronic music". ![]() In 2012, Pitchfork stated that the track's futuristic elements presaged various musical developments, including " Flying Lotus' digital deconstruction, James Blake's bent vocals, the wobble and knock of dubstep". DJ Mag labeled its sound an "uncompromising cyborg R&B," while Fact labeled it "R&B and hip-hop written in the language of glitches and breakbeats." The track consists of various sections, including a drum'n'bass intro, a "gooey middle section", and an abrasive noise ending, as well featuring a consistent melodic element throughout. According to CMJ New Music, the track's " electro drum kicks, warped vocal samples and sleazy, erotic ambiance connote images and emotions alien to James's previous compositions." Gasps and moans reminiscent of sexual vocal tones "glide in and out of the production" some speculate that the vocals are James's own treated voice. "Windowlicker" focuses stylistically on "eerie lounge-porn music" and features rapid breakbeat drum programming and heavily manipulated vocals.
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